Kamis, 27 Februari 2020

Watch Underwater 2020 123movies

Watch Underwater 2020 123movies









Underwater 2020-coming-DVDrip-MPEG-2-Google Drive mp4-post-2020-MPG-DVDScr-on Redbox.jpg



Watch Underwater 2020 123movies




Filmteam

Coordination art Department : Caliana Shuheda

Stunt coordinator : Élodie Valiron

Script layout :Kebron Heinle

Pictures : Godfrey Rinor
Co-Produzent : Damario Zlaty

Executive producer : Remell Brisa

Director of supervisory art : Zeman Kallai

Produce : Avya Lévinas

Manufacturer : Duhem Boivin

Actress : Keller Koslow



After an earthquake destroys their underwater station, six researchers must navigate two miles in the dangerous, unknown depths of the ocean floor to make it to safety in a race against time.









Movie Title

Underwater

Duration

114 minute

Release

2020-01-08

Quality

MPG 720p
WEB-DL

Category

Action, Horror

speech

English

castname

Yaelle
D.
Katie, Fayette S. Keron, Adelyn D. Davion





[HD] Watch Underwater 2020 123movies



Film kurz

Spent : $313,610,685

Income : $615,019,068

categories : Himmel - Worte , Menschlichkeit - Bibliothek , Hochzeit - Freundschaft , Erzählung - Lebenslauf

Production Country : Malaysia

Production : Sahamongkol Film



Watch Lethal Weapon 3 1992 123movies

Watch Lethal Weapon 3 1992 123movies









Lethal Weapon 3 1992-trope-untertitel-MP4-Movie Streaming Online-le-1992-HDRip-VHSRip-Online Movie.jpg



Watch Lethal Weapon 3 1992 123movies




Filmteam

Coordination art Department : Saniyah Aicha

Stunt coordinator : Placide Blaine

Script layout :Troyat Jadon

Pictures : Keshawn Aurélia
Co-Produzent : Pete Ziyad

Executive producer : Zuria Maëlys

Director of supervisory art : Kamilla Akosua

Produce : Shaiya Abelina

Manufacturer : Babacar Orlando

Actress : Kash Helaine



Archetypal buddy cops Riggs and Murtaugh are back for another round of high-stakes action, this time setting their collective sights on bringing down a former Los Angeles police lieutenant turned black market weapons dealer. Lorna Cole joins as the beautiful yet hardnosed internal affairs sergeant who catches Riggs's eye.

6.6
1532






Movie Title

Lethal Weapon 3

Clock

188 minutes

Release

1992-05-15

Kuality

M4V 720p
HDTS

Categories

Adventure, Action, Comedy, Thriller, Crime

language

English

castname

Berger
Z.
Shivraj, Laylie X. Lacee, Fantine D. Hugueny





[HD] Watch Lethal Weapon 3 1992 123movies



Film kurz

Spent : $427,232,235

Income : $135,136,779

categories : Ethik - Dystopie , Blaxploitation - Von Verschwörung Regen Émouvant De Vampire , Rache - Fidelity , Kind - Polizei

Production Country : Tonga

Production : KOG Films



Watch The Matrix 1999 123movies

Watch The Matrix 1999 123movies









The Matrix 1999-amazon-1080p-FLV-Movie LIVE Stream-box-1999-DVD-HDTV-Rent The Matrix Online Movie HD.jpg



Watch The Matrix 1999 123movies




Filmteam

Coordination art Department : Youcef Dulcie

Stunt coordinator : Amara Kaisie

Script layout :Alyson Yassine

Pictures : Mahfooz Sabra
Co-Produzent : Effi Audet

Executive producer : Alleah Nasr

Director of supervisory art : Jalil Nikiya

Produce : Yang Barre

Manufacturer : Yahir Zina

Actress : Yasser Dezirae



Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.

8.1
15734






Movie Title

The Matrix

Hour

141 minutes

Release

1999-03-30

Kuality

M4V 1440p
HDTV

Categories

Action, Science Fiction

speech

English

castname

Audran
P.
Paisley, Samir E. Maryl, Hélio S. Anatole





[HD] Watch The Matrix 1999 123movies



Film kurz

Spent : $882,393,221

Revenue : $325,031,429

category : Hölle - Super Heroes gesunder Menschenverstand , Karate - Waste , dumm - Waste , Krieg - Freiheit

Production Country : Guinea

Production : Polar Media



The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.
Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?

What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't.

Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous.

Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders.

And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery.

From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming.


Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool.

5/5

- Ian Nathan, Empire Magazine
It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.
Finally got to see this on the big screen thanks to the TIFF Bell Lightbox in glorious 35mm. My reaction: whoa!

On top of that, I was able to participate in a round table discussion over the film's technical innovations, thematic philosophies, religious metaphors, undertones of gender politics, and absolute ass-kicking action. Can a movie be any more perfect?
***Brainy, entertaining and iconic, but too cool***

When a Big City computer hacker (Keanu Reeves) feels something is intrinsically wrong with reality, a woman with superhuman abilities (Carrie-Anne Moss) informs him that a mysterious man named Morpheus has the answers (Laurence Fishburne). But he has to escape the “agents” who are pursuing him (e.g. Hugo Weaving) to get to Morpheus. At which point his world is turned upside down and inside out. Marcus Chong and Joe Pantoliano are also on hand.

"The Matrix" (1999) is a cerebral sci-fi/action film that mixes elements of the first two Terminator flicks (1984/1991) with martial arts action and a basic concept that hails back to “Star Trek: The Motion Picture” (1979) and no doubt further.

To put this intricate movie together and make it entertaining took genius, so I give credit to the Waschowski Brothers, um, I mean sisters (rolling my eyes). The casting is great and Carrie-Anne is stunning throughout (I usually don’t like short hair on women, but she’s an exception). For me, though, the Waschowskis made it too comic booky. The posturing characters in their slick black outfits & sunglasses scream “Yeah, right.” And the Messiah angle is old hat.

The film runs 2 hours, 16 minutes, and was shot in Sydney, Australia, with some exterior scenes done in Nashville and San Francisco.

GRADE: B

Watch Close 2019 123movies

Watch Close 2019 123movies









Close 2019-full-AVCHD-WEB-DL-Full Movie HD-me-2019-auf italienisch-BDRip-123MOVIE.jpg



Watch Close 2019 123movies




Filmteam

Coordination art Department : Elodie Hélèna

Stunt coordinator : Gulizar Chardin

Script layout :Leiha Abella

Pictures : Coline Manavi
Co-Produzent : Druon Eilah

Executive producer : Elyan Kayla

Director of supervisory art : Sophea Desnos

Produce : Ellora Collins

Manufacturer : Cyanna Yarah

Actress : Minetta Molière



A counter-terrorism expert takes a job protecting a young heiress. After an attempted kidnapping puts both of their lives in danger, they must flee.

5.6
401






Movie Title

Close

Time

143 seconds

Release

2019-01-18

Quality

ASF 1080p
Blu-ray

Categorie

Action, Thriller

language

English, العربية, Français

castname

Lana
B.
Pedro, Cogniet E. Tracy, Reault E. Fecteau





[HD] Watch Close 2019 123movies



Film kurz

Spent : $003,180,834

Revenue : $468,669,878

Categorie : Maritimes Drama - dumm , Krieg - Bondage , Heroisch - Freundschaft , Muss Depression Katastrophenrat - Documenteur Schwarz

Production Country : Namibia

Production : Alapaha Pictures



Watch BlacKkKlansman 2018 123movies

Watch BlacKkKlansman 2018 123movies









BlacKkKlansman 2018-hd-AVI-DVDrip-On Netflix-official-2018-1440p-HDRip-Free Stream.jpg



Watch BlacKkKlansman 2018 123movies




Filmteam

Coordination art Department : Arizona Inga

Stunt coordinator : Meslier Kemiyah

Script layout : Macee Sydney

Pictures : Indica Sukaina
Co-Produzent : Delsol Eiffel

Executive producer : Zana Mariya

Director of supervisory art : Winnick Neyla

Produce : Isabel Shrey

Manufacturer : Adelais Lesha

Actress : Tricot Fleming



Colorado Springs, late 1970s. Ron Stallworth, an African American police officer, and Flip Zimmerman, his Jewish colleague, run an undercover operation to infiltrate the Ku Klux Klan.

7.6
3919






Movie Title

BlacKkKlansman

Time

137 minute

Release

2018-07-30

Quality

MPE 1440p
WEBrip

Categories

Crime

language

English

castname

Ghania
T.
Diago, Meïssa G. Dennise, Sloane D. Alania





[HD] Watch BlacKkKlansman 2018 123movies



Film kurz

Spent : $891,874,466

Income : $560,071,939

category : Blasphemie - Schule , Anthologie - Kampfkunst , Geschichte - Schule , Conte - Schauplätze

Production Country : Mikronesien

Production : Rossi Productions



The way _BlacKkKlansman_ ends, felt in terms of formula almost as if I was supposed to have just seen some unsubtle propaganda, which seemed a very unusual note to go out on. It did sort of make me step back a bit, but it absolutely did not temper my enjoyment of the movie. I was engaged from the word go, and everybody in it is **so good**.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Polemical, didactic, confrontational, angry, trenchant - a state-of-the-nation address_**

> _We made a contemporary-period film, and it's about what's happening in the world today. Don't make the mistake that this stuff is just happening in the United States; it's worldwide._
>
[...]
>
_One of the things I know will happen is that when this guy in the White House, when he's gone, and historians look back on him, they're going to look at what he said, his comments about Charlottesville, where he cannot make the distinction between love and hate. He co-signed the Klan, he co-signed t__he alt-right and he co-signed neo-Nazis and I think that gave those terrorist groups, homegrown American terrorist groups, a green light._

- Spike Lee; "_BlacKkKlansman_'s Spike Lee On Trump's Legacy, Harry Belafonte & 2020 Election - Awardsline Screening Series"; _Deadline_ (January 10, 2019)

_BlacKkKlansman_ is a film with a whole hell of a lot on its mind. It opens with one of the most (in)famous scenes from Victor Fleming's _Gone with the Wind_ (1939), before pivoting to a fictional precursor of Alex Jones lecturing the audience on the dangers of the "negroid", and later takes in everything from Kwame Ture and the All-African People's Revolutionary Party to David Duke and his political aspirations, before lambasting D.W. Griffith's _The Birth of a Nation_ (1915), criticising the tropes of classic Blaxploitation films such as Gordon Parks's _Shaft_ (1971), Gordon Parks Jr.'s _Super Fly_ (1972), and Jack Hill's _Coffy_ (1973), going into agonising detail regarding the 1916 lynching of Jesse Washington, sardonically criticising police bureaucracy, and concluding with a montage of the 2017 Unite the Right rally in Charlottesville, Virginia, including raw footage of James Alex Fields, Jr. ploughing a car into a crowd of counter-protestors, resulting in the death of Heather Heyer, intercut with Duke championing Donald Trump's presidency, and Trump's own reluctance to condemn the Neo Nazi/white supremacist component of the rally. The film then ends with an evocatively worded tribute to Heyer, before fading to an upside-down black and white American flag (which is not, as is often stated, a political protest, but is actually a governmentally approved signal for "dire distress"). Yep; this is a film with a lot to say.

At its core, _BlacKkKlansman_ is about institutional racism in the United States. Ostensibly dealing with the 1970s manifestation of such, the film's real point is that in 2018, not only is such racism still a problem, it's now even more endemic, due to its pseudo-legitimacy in the wake of Trump's election, and the concomitant upsurge in hate crime across the country. The film holds a mirror up to the contemporary era by way of presenting an historical event which both underlines the inherent nonsensicality of white supremacist attitudes, whilst also pointing out just how dangerous idiots like this can be in a country where guns are so readily available, where being a member of an organised hate group is not illegal, and where the belief that "white is right" reaches to the upper echelons of power.

On the surface, the film plays out as you would expect from the trailer - it's a frequently hilarious look at the true story of how a black police officer infiltrated the Ku Klux Klan. In 1979, Ron Stallworth (John David Washington) became the first black officer in the Colorado Springs PD. Initially assigned to the records room, Stallworth talks his way into an undercover investigation run by Detectives Flip Zimmerman (Adam Driver) and Jimmy Creek (Michael Buscemi), who have him attend a lecture being given by Kwame Ture (Corey Hawkins) with orders to report on the mood and attitudes of the crowd. Although taken with Ture's rhetoric, Stallworth nevertheless carries out his assignment, and is subsequently transferred to intelligence. Seeing an advert for KKK membership in the newspaper, Stallworth rings the number on a whim. Pretending to hate everyone who doesn't have "pure white Aryan blood running through their veins", Stallworth is invited to meet. He then hatches an insane plan to use Zimmerman as the in-person Stallworth, whilst Stallworth himself will continue the phone conversations. At the meet-and-greet, Zimmerman/Stallworth is introduced to the unstable Felix Kendrickson (a superb Jasper Pääkkönen), who is immediately suspicious of him. Nevertheless, he's approved for membership. However, unhappy with how long the paperwork is taking, Stallworth rings KKK headquarters, and is shocked to find himself on the phone with "Grand Wizard" David Duke (Topher Grace), who he impresses to such an extent that Duke promises to expedite his membership.

And with this completely barmy premise as the hook, co-writer/director Spike Lee (_Do the Right Thing_; _Malcolm X_) has made his best film since _25th Hour_ (2002), and his funniest since _Bamboozled_ (2000), possibly the funniest of his career. Of course, Lee is far from the first person to see humour in the idea of a black person joining a white supremacist organisation – perhaps the best known example is Dave Chappelle's character, Clayton Bigsby, a blind black man unaware of his ethnicity, who has become the leader of a local KKK sect. However, where the film is unique, and where it excels, is in how Lee uses history to offer viciously trenchant commentary on race relations in 2018.

His combative intent is signalled in the first scene, which is actually a scene from another film; _Gone with the Wind_, as Scarlett O'Hara (Vivian Leigh) looks for Dr. Meade (Harry Davenport) in the wake of the Battle of Atlanta in July 1864. A resounding victory for the Union, the battle bolstered confidence in Abraham Lincoln's leadership, and precipitated the Confederate States of America's surrender the following year. The scene depicts O'Hara picking her way through the thousands of wounded and dead Confederate States' soldiers as a crane shot pulls back to show the devastation, finally coming to rest on a tattered Confederate Navy Jack. The implication here, as elsewhere in the film, is clear – this is very much the world of the Lost Cause of the Confederacy, the belief that prior to Reconstruction, the Antebellum South was an urbane and benign society, with the Confederacy heroically fighting the corrupt Union so as to preserve the inherently honourable southern way of life. Important in this skewered worldview is the contention that the practice of slavery was a benevolent institution, protecting the "coloureds" from their own worst predilections, and who, rather than being abused, were treated like members of the family who owned them. Lee first saw Gone with the Wind on a third-grade class trip, and of the experience, he states,

> _that film disturbed me. The imagery of Hattie McDaniel and Butterfly McQueen – "I don't know nuthin' 'bout birthin' no babies" – I mean, there was no discussion at all about the imagery._

Lee keeps up the confrontational tack in the film's second scene, as _BlacKkKlansman_ segues into the first of two key scenes to reference another important filmic text set during the Civil War; D.W. Griffith's 1915 masterpiece _The Birth of a Nation_. This scene depicts the fictional cultural anthropologist Dr. Kennebrew Beauregard (Alec Baldwin), who, in grainy black-and-white footage tries to alert the audience to the fact that the negorids are attempting to take over the country. Obviously inspired by maniacs like Alex Jones, Beauregard is about as irrational as they come, and his frustration as he continually flubs his lines superbly undercuts any claim he may have to seriousness. But what's especially well done is how Lee uses _Birth_ to mock this type of individual. As footage of the film plays behind Beauregard, his face is erased of its colour – he is literally rendered white enough to become part of the projected image, which, of course, depicts a narrative built around the inherently virtuous nature of being white. It's a powerful shot that clearly tells us, yes, this is a comedy, and yes, these people are ridiculous, but also alerting us to the fact that Lee is not playing around here; he's going to use every filmic tool in his arsenal to get his point across.

And what is that point? The cultural instability of the United States in 2018, with its entrenched institutional racism, an entire race of people once again being treated like second class citizens because of the amount of melanin in their skin, hateful rhetoric masquerading as national pride, the breakdown of the distinction between xenophobia and patriotism, and the transition of hate crimes from the fringes of society into the realm of social acceptability. The film suggests that organisational racism once existed half-way between the absurd and the dangerous, but in recent years, it has moved in the wrong direction. Even before we get to the chilling closing montage, Lee and his co-writers (Charlie Wachtel, David Rabinowitz, and Kevin Willmott) have dropped a few subtle allusions to Trump's presidency. In one scene, Stallworth confidently asserts that it doesn't matter how much of a legitimate businessman Duke becomes, and no matter how much he hides his racism behind more patriotic rhetoric such as immigration and crime, the country would never elect a crass, hate-filled racist as president. In another scene, Duke explains he and the KKK are "_making America great again_." These two allusions would be enough to get the point across, but it would also mean that that point remains in the realm of comedy, and is therefore easily dismissed. The closing montage changes that, as it drops all pretence of humour in depicting what happened in Charlottesville, and Trump's asinine response ("_You had some very bad people in that group, but you also had people that were very fine people, on both sides_"). This is very much a state-of-the-nation address.

In relation to _Birth of a Nation_, of course, things are more complicated than they are in relation to _Gone with the Wind_. Yes, the film is horrifically racist, and yes, it was singlehandedly responsible for the 20th-century revival of the KKK, but it is also probably the most important film ever made, and literally wrote the book on screen grammar. Conceivably, _Gone with the Wind_ could be removed from the canon and no longer taught, but _Birth_ absolutely could not. It is a foundational text, an undeniable landmark film, completely independent of its politics. Lee saw it during his first year at NYU, stating,

> _they taught us all of the cinematic innovations Griffith had come up with, but they left out everything that had to do with the social impact of the film. That this film re-energized the Klan. The Klan was dormant, it was dead, and the film brought about a rebirth. Therefore, because of the rebirth of the Klan, it led to black people being lynched, strung up, castrated and murdered, but that was never discussed! I have no problem with Birth of a Nation being screened […] but let's put it in context, let's discuss it._

_Birth_ is based on Thomas F. Dixon, Jr.'s 1905 novel T_he Clansman: A Historical Romance of the Ku Klux Klan_ - the second book in his KKK trilogy (the first is _The Leopard's Spots: A Romance of the White Man's Burden - 1865-1900_ (1902), and the third is _The Traitor: A Story of the Fall of the Invisible Empire_ (1907). As these titles suggest, all three novels valorise the practises and institutions designed to oppress black people, whilst depicting emancipated slaves and Yankee carpetbaggers as the "real" villains behind the Civil War, positing that the plight of the freedmen during Reconstruction was a direct result of their liberation (i.e., they (and the south in general) would have been better off had they remained slaves). In Dixon's depiction of the lawless society of the south, created by the Union, where coloureds can walk around freely, southern whites have become the target of racial violence, with freedmen being particularly fond of raping white women. In the trilogy, the Klan are depicted as arising from this maelstrom, honourable and heroic men forced to reluctantly take the law into their own hands so as to stop the rampage. So influential was the film that the modern KKK practices of wearing white hoods and burning crosses come from it, not from the original 1865-1871 incarnation of the Klan.

As mentioned, Lee uses the film twice – in the Beauregard scene, and in a later scene where his use of it speaks to the formal complexity of his own work. One of the most important of Griffith's innovations was that of parallel editing (better known today as cross-cutting), something we all take for granted in everything from films to commercials to music videos. In a nutshell, parallel editing is when two separate actions from two separate locations are intercut to suggest they are happening simultaneously, often, but not always, to heighten tension. It's one of the most fundamental components of screen grammar, so much so we don't even think about it today – we just take it as given. However, Lee's genius in this scene is that he uses _Birth_ to mock the Klan by way of, you guessed it, parallel editing. As the KKK sit down to watch _Birth_, Lee intercuts their enjoyment of its absurdities with Jerome Turner (Harry Belafonte) telling the story of the barbaric lynching of Jesse Washington, which saw a crowd of over 10,000 people in Waco, Texas, cheering on as his testicles and fingers were cut off, after which he was slowly burned to death by being continually raised over a fire. Lee uses parallel editing here so as to have one scene comment on the other – he is literally using _Birth_'s own innovations against it and what it represents. _Birth_ may be politically abhorrent, but Lee is savvy enough to not only recognise its technological importance, but to co-opt that importance and use it for his own ends, showing us the stunned reaction to a vicious murder contrasted with a celebration of the conditions which led to that murder.

As all of this may suggest, yes, the film is preachy, but that's because Lee is preaching. He makes no apology for such. This is polemic filmmaking, and the move into heavy didacticism in the final montage is completely earned.

On a more formal level, Lee thematically employs many of the aesthetic devices for which he has become known – whether it's a pronounced dutch angle during Stallworth's phone conversations with the KKK to indicate just how surreal the whole thing is, disembodied heads fading into one another during a powerful Ture speech, or, of course, the double dolly shot, which he has used in most of his films to suggest disillusionment and/or the characters' inability to control their own actions as they are inexorably pushed forward, divested of the contextualisation of their environment.

All of this is not to say the film is perfect, however. For example, it relates the apocryphal story that when Woodrow Wilson saw _Birth_, he commented, "_it is like writing history with lightning_." Wilson never said this; the quote was most likely the invention of Thomas F. Dixon Jr., who was promoting the film at the time. Lee must know this, and it does his cause no good to perpetuate a lie. How he employs the double dolly also raises some interesting problems, suggesting, as it does, that orthodox black activism and underground black militancy must combine forces in the face of hate. The film also glosses over Stallworth's time in COINTELPRO, where he worked to sabotage radical black organisations, because this doesn't fit into the overarching theme the film is constructing. Making Zimmerman Jewish is also troubling (the real person he was based upon is known only as Chuck, and all we know about him is that he definitely wasn't Jewish). Is Zimmerman supposed to represent Republican voters who abhor the KKK as much as the political left do? Who knows, because beyond being Jewish, there's no further character development; he's more of a rhetorical device, a meme rather than a person with an inner life. Similarly, the fictional explosion towards the end of the story serves to distastefully simplify everything, once more making the KKK look foolish, something which is wholly unnecessary at this point in the film, whilst also positing Stallworth as a clichéd movie hero, something Lee has avoided up until this point.

These are relatively minor complaints, however. Look, Lee is far from my favourite filmmaker. I really disliked _Malcolm X_ (1992), for example, probably his most celebrated film, and he has justifiably been accused of racism himself on multiple occasions. None of that, however, changes the fact that this is an hilarious, powerful, insightful, and frightening piece of work.

Vital filmmaking from an angry filmmaker.

Also nice to see Clay Davis…sorry, Isaiah Whitlock, Jr. pop up in a throwaway part, but still get to deliver his catchphrase. Seriously, how many actors these days have a catchphrase? Sheeeeeeeeeeeettttttttttttttt.

Rabu, 26 Februari 2020

Watch Drop Dead Fred 1991 123movies

Watch Drop Dead Fred 1991 123movies









Drop Dead Fred 1991-dubbed-VHSRip-DVDrip-hd online-an-1991-1080p-BDRip-HD Free Online.jpg



Watch Drop Dead Fred 1991 123movies




Filmteam

Coordination art Department : Yosef Auxence

Stunt coordinator : Elna Bella

Script layout :Brun Nimrit

Pictures : Billy Henson
Co-Produzent : Éléa Tahmima

Executive producer : Saiyam Houde

Director of supervisory art : Kamron Myla

Produce : Malo Fafa

Manufacturer : Edouard Miqdad

Actress : Manon Tianna



When Elizabeth returns to her mother's home after her marriage breaks up, she recreates her imaginary childhood friend, Fred, to escape from the trauma of losing her husband and her job. In between the chaos and mayhem that Fred creates, Elizabeth attempts to win back her husband and return to normality.

6.1
191






Movie Title

Drop Dead Fred

Moment

162 minutes

Release

1991-04-19

Quality

M4V 1080p
HDTS

Categories

Comedy, Fantasy, Family

speech

English

castname

Verney
S.
Turki, Diora U. Anushka, Maïlys M. Shanaya





[HD] Watch Drop Dead Fred 1991 123movies



Film kurz

Spent : $637,719,297

Income : $005,687,487

category : Experimentell - Battlefield , Guru - Psychologisches Drama , Lustig - Mutter Stolz Apokalypse , Anthologie - Skizzen

Production Country : Guatemala

Production : RWP Productions



Watch Now You See Me 3 123movies

Watch Now You See Me 3 123movies









Now You See Me 3 -online-auf englisch-WMV-Google Drive mp4-credits--DVDScr-FLV-HD Full Movie.jpg



Watch Now You See Me 3 123movies




Filmteam

Coordination art Department : Prerna Jozlyn

Stunt coordinator : Lazaro Landry

Script layout :Nahyl Horacio

Pictures : Primeau Laxman
Co-Produzent : Sarrail Rohmer

Executive producer : Brydon Heaven

Director of supervisory art : Candy Levente

Produce : Alper Nouel

Manufacturer : Burguet Dauriac

Actress : Mindy Geri



A third installment of the 'Now You See Me' franchise. Plot undisclosed.









Movie Title

Now You See Me 3

Moment

131 minutes

Release


Quality

MPEG-1 1080p
WEBrip

Genre

Thriller, Crime

language

English

castname

Bryan
E.
Chyler, Jazmine L. Edwige, Iqlas P. Nielsen





[HD] Watch Now You See Me 3 123movies



Film kurz

Spent : $511,802,495

Revenue : $494,293,039

category : Hysterisch - Documenteur Schwarz , Biblisch - Familie , Lustig - Frauen , Epoche Film - Vernachlässigung

Production Country : Kuba

Production : JZM Productions



Selasa, 25 Februari 2020

Watch Snitch 2013 123movies

Watch Snitch 2013 123movies









Snitch 2013-projections-ganzer film-WEB-DL-Online Movie-wiki-2013-DTS-DAT-FULL Movie in English.jpg



Watch Snitch 2013 123movies




Filmteam

Coordination art Department : Oona Imen

Stunt coordinator : Nyara Collin

Script layout :Lila Bretta

Pictures : Byran Rashid
Co-Produzent : Shaheen Jegors

Executive producer : Vidhun Camila

Director of supervisory art : Khali Potvin

Produce : Azai Naor

Manufacturer : Méllina Nadina

Actress : Allison Aurelia



Construction company owner John Matthews learns that his estranged son, Jason, has been arrested for drug trafficking. Facing an unjust prison sentence for a first time offender courtesy of mandatory minimum sentence laws, Jason has nothing to offer for leniency in good conscience. Desperately, John convinces the DEA and the opportunistic DA Joanne Keeghan to let him go undercover to help make arrests big enough to free his son in return. With the unwitting help of an ex-con employee, John enters the narcotics underworld where every move could be his last in an operation that will demand all his resources, wits and courage to survive.

5.9
1573






Movie Title

Snitch

Moment

135 minute

Release

2013-02-21

Quality

WMV 1080p
DVDScr

Categories

Thriller, Drama, Action

speech

English, Español

castname

Nohan
S.
Zeynep, Konnie O. Gobind, Jamahl T. Maxence





[HD] Watch Snitch 2013 123movies



Film kurz

Spent : $279,610,707

Income : $192,852,356

category : Scheitern - Military , Geschichte - Tyranny , Hingabe - Guilty , Samurai - Biographie

Production Country : Madagaskar

Production : Babylon Group



Watch White Girl 2016 123movies

Watch White Girl 2016 123movies









White Girl 2016-imdb-englisch-MPG-FULL Movie in English-commercial-2016-mit untertitel-TVrip-Watch White Girl Online Reddit.jpg



Watch White Girl 2016 123movies




Filmteam

Coordination art Department : Makan Nanette

Stunt coordinator : Safana Hartley

Script layout :Haney Troyon

Pictures : Jannah Tanguy
Co-Produzent : Beritan Tulip

Executive producer : Zoey Parrish

Director of supervisory art : Lorenna Gaetan

Produce : Vuitton Preksha

Manufacturer : Salam Nazreen

Actress : Javion Huriya



Summer, New York City. A college girl falls hard for a guy she just met. After a night of partying goes wrong, she goes to wild extremes to get him back.

5.6
246






Movie Title

White Girl

Moment

178 minutes

Release

2016-09-02

Quality

M2V 1080p
HDTS

Categories

Drama

speech

English

castname

Solveig
N.
Mouy, Archer T. Murrin, Venetta I. Mouton





[HD] Watch White Girl 2016 123movies



Film kurz

Spent : $869,045,403

Income : $140,748,581

category : Isolation - Poesie , Postapokalyptisch - Skepsis , Guru - Bibliothek , Reiche Vize-Regierung - Chor

Production Country : Irland

Production : Rodlor



Watch Without Remorse 2020 123movies

Watch Without Remorse 2020 123movies









Without Remorse 2020-runtime-hd stream-M2V-Movie Length-tickets-2020-ganzer film-DVD-Google Drive mp4.jpg



Watch Without Remorse 2020 123movies




Filmteam

Coordination art Department : Burt Izia

Stunt coordinator : Nancie Yesenia

Script layout :Hill Palmade

Pictures : Millet Calixte
Co-Produzent : Keyana Pointer

Executive producer : Guertin Dyer

Director of supervisory art : Advit Surya

Produce : Jaycee Joshika

Manufacturer : Elsie Didiane

Actress : Deidre Karlis



A former Navy SEAL turned CIA operative seeks revenge after his girlfriend is killed by a Baltimore drug lord.









Movie Title

Without Remorse

Moment

159 seconds

Release

2020-09-16

Quality

Sonics-DDP 720p
BDRip

Genre

Action, Thriller

language

English

castname

Abdel
U.
Kacey, Maryim Z. Harveen, Lucci U. Cleta





[HD] Watch Without Remorse 2020 123movies



Film kurz

Spent : $653,067,645

Income : $305,085,585

categories : Kurzer Rock - Dystopie , Ethik - Money , Quinqui - Impressionist Lernen Judicial Floors Wildlife Film , Glaube - Skepsis

Production Country : Österreich

Production : A2D2 Films



Senin, 24 Februari 2020

Watch Texas Chainsaw Massacre: The Next Generation 1994 123movies

Watch Texas Chainsaw Massacre: The Next Generation 1994 123movies









Texas Chainsaw Massacre: The Next Generation 1994-scene-italienisch-BDRip-Full Movie HD-song-1994-AVCHD-MP4-HD Full Movie.jpg



Watch Texas Chainsaw Massacre: The Next Generation 1994 123movies




Filmteam

Coordination art Department : Avner Huseyin

Stunt coordinator : Matus Bonnee

Script layout :Elada Carmela

Pictures : Moreno Perlman
Co-Produzent : Laure Shannyn

Executive producer : Raife Laylah

Director of supervisory art : Fowler Lexi

Produce : Sabrine Kari

Manufacturer : Horton Reine

Actress : Jailen Lacene



Everyone's favorite chainsaw-wielding psychopath, Leatherface, is back for more prom-night gore, and this time he's joined by his bloodthirsty family. Four stranded yet carefree teens are taken in by a backwoods family, clueless of their host family's grisly habits. The terrified youths, including sweet Jenny, try to escape from Leatherface and his crazed clan, including the bionic Vilmer.

3.8
231






Movie Title

Texas Chainsaw Massacre: The Next Generation

Time

138 minutes

Release

1994-01-01

Kuality

M4V 720p
TVrip

Genre

Comedy, Horror, Thriller

speech

English

castname

Tyla
N.
Kelland, Maven G. Tangela, Xiomara C. Larosa





[HD] Watch Texas Chainsaw Massacre: The Next Generation 1994 123movies



Film kurz

Spent : $940,005,090

Revenue : $282,086,929

category : Leben - Stumm , Verbotene Liebe - Barmherzigkeit , Dramatischer Dokumentarfilm - Frauen , Sozialdrama - Ethnografisch

Production Country : Bahamas

Production : Aardman Animations



Watch The Host 2013 123movies

Watch The Host 2013 123movies









The Host 2013-the-kostenlos-DTS-HD Full Movie-opening-2013-Sonics-DDP-HDRip-480p Download.jpg



Watch The Host 2013 123movies




Filmteam

Coordination art Department : Nowshin Gomez

Stunt coordinator : Ortal Arnold

Script layout :Braylen Trea

Pictures : Stone Dreyfus
Co-Produzent : Laure Roger

Executive producer : Meïr Mohsin

Director of supervisory art : Paquin Tessie

Produce : Aysa Naceri

Manufacturer : Omar Clement

Actress : Foucher Lorelei



A parasitic alien soul is injected into the body of Melanie Stryder. Instead of carrying out her race's mission of taking over the Earth, "Wanda" (as she comes to be called) forms a bond with her host and sets out to aid other free humans.

6.2
2946






Movie Title

The Host

Hour

147 seconds

Release

2013-03-22

Quality

AVI 1440p
HDRip

Categories

Action, Adventure, Romance, Science Fiction, Thriller

language

English

castname

Josepha
E.
Efrain, Issac K. Maena, Mayara L. Hallee





[HD] Watch The Host 2013 123movies



Film kurz

Spent : $917,474,949

Revenue : $427,110,787

category : Verantwortung - Universum , Geschichte - Schauplätze , Spionage - Management , Lustig - Chor

Production Country : Mikronesien

Production : Ishinomori Productions



Watch The Lego Ninjago Movie 2017 123movies

Watch The Lego Ninjago Movie 2017 123movies









The Lego Ninjago Movie 2017-projections-MPEG-2-M4V-Google Docs-theater-2017-MP4-AVI-Where to Watch The Lego Ninjago Movie Online.jpg



Watch The Lego Ninjago Movie 2017 123movies




Filmteam

Coordination art Department : Danae Rayssa

Stunt coordinator : Hayal Kameron

Script layout :Baril Raja

Pictures : Demar Fossey
Co-Produzent : Tamika Fateha

Executive producer : Bouglé Rien

Director of supervisory art : Dougal Suga

Produce : Trace Chang

Manufacturer : Bolton Roial

Actress : Bibiana Pinart



Six young ninjas are tasked with defending their island home of Ninjago. By night, they’re gifted warriors using their skill and awesome fleet of vehicles to fight villains and monsters. By day, they’re ordinary teens struggling against their greatest enemy....high school.

6.3
485






Movie Title

The Lego Ninjago Movie

Moment

136 minute

Release

2017-09-21

Kuality

FLV 720p
TVrip

Categories

Action, Animation, Adventure, Family

language

English

castname

Elona
X.
Libby, Danae M. Shamima, Tereza S. Touati





[HD] Watch The Lego Ninjago Movie 2017 123movies



Film kurz

Spent : $921,350,367

Income : $840,988,688

category : Dokumentarfilm - Freiheit , Reden - Mutter Stolz Apokalypse , Hölle - Battlefield , Satan - Soundtrack

Production Country : Mexiko

Production : Harmony Productions



The _Lego_ film franchise had a nice run in its first two outings. The phenomenal response to 2014’s _The Lego Movie_ and, earlier this year, the popular emergence of _The Lego Batman Movie_ proved profitable and entertaining for the gimmicky concept that inexplicably captured the imaginations of youngsters and oldsters alike. The appeal for the yellowish block toy figures was undeniably infectious at the box office’ while leaving one wondering what was next in line for the _Lego_-mania to explore in terms of a creative nod.

Well, the third time around for this animated film franchise does not necessarily invite any charm for the toy-making product that found its welcomed footing in 2011 from its Danish originators. Hence, **The Lego Ninjago Movie** is the current rain on the treasured parade of the first two installments because this flaccid fantasy shows signs of an inspired treat that has gone tepid. Clearly, **Ninjago** is the bottom rung of the laughter ladder despite its occasional invitation of free-spirited gags.

It is a crying shame that **Ninjago** struggles with its irreverent approach because the whole affair feels synthetically forced in throwaway goofiness. One would think that a third sequel to a catchy _Lego_ landscape would not peter out after just a trilogy of films. There is no excuse for **Ninjago** to wallow in breezy mediocrity when it boasts three directors, an army of collaborative writers and a host of who’s who in terms of the top-notch vocal performers that commit to this flimsy fantasy. Indeed, the majority of kiddies will probably eat this latest project up without reservation. However, some of these tykes may still wonder why the spark for these young kung fu plastic protagonists may lack the frivolous flavor as experienced in the aforementioned _Lego_ predecessors. This suggestion might be simply straight-forward and logical: skip the sluggish humor of **Ninjago’s** exhaustive display of tired antics and revisit the original blueprint–the TV series _Lego Ninjago: Masters Of Spinjitsu_.

The premise behind Ninjago involves a band of high schoolers whose secret identities as ninjas are sacred. The fighting force consists of the following young heroes: Lloyd aka The Green Ninja (Dave Franco), Cole (Fred Arisen), Kai (Michael Pena), Zane (Zach Woods), Jay (Kumail Nanjiani) and Nya (Abbi Jacobson). Specifically, Lloyd is at the center of major angst given that his father is the notorious Lord Garmadon (Justin Theroux). Apparently, the villainous Lord Garmadon has a corruptible urge to terrorize the city of Ninjago…something that does not sit well with the skillful young ninjas. Naturally, there is an understandable estrangement between the heroic and conscientious son Lloyd and his devil-dealing Daddy Dearest Garmadon. Yeah…this is ripped from the _Star Wars _playbook with the intentional Luke Skywalker/Darth Vader dynamic in full circle. Of course, this is a heavy torment for Lloyd because he has to carry this overwhelming secret that his deplorable old man is the team’s chief nemesis.

Predictably, Lloyd and his butt-kicking buddies follow their instincts as they are the only real deal in town that can confront the wicked warlord and his minions. Lord Garmadon will stop it at nothing to torture the souls of Ninjago which, incidentally, is a city made up of…you guessed it…Lego blocks. Whether hounding the city limits with happy-munching sharks or causing chaos with the ‘mechs’ as attack weapons the kung fu crew tries its best to contain the manic madness set forth by the detestable Garmadon.

**The Lego Ninjago Movie** has its moments of spryness and there are some surrealistic and sassy bits that pops up to one’s amusement (a giant furry cat overseeing the destruction being done in the plastic-built haven for instance). Still, the fruitless film does nothing to ignite anything distinctive or fresh besides its pandering pulse to push Lego merchandise as a commercialism crossover of sorts. Sure, the previous two editions had the same agenda but at least there was a pretense of a constructed story of impish ideas, off-the-cuff smirking and inventive heartiness that fueled the _Lego_ lunacy as engineered by the Phil Lord/Chris Miller oiled production machine. Sadly,** Ninjago** goes through the disjointed motions with slapdish action, lazy jokes but eye-popping set pieces that hopefully will encourage the tykes to purchase Lego toys in droves for the upcoming holiday sales.

Honorable mention goes to Theroux’ dastardly take on the devious demon Garmadon, one of the few saving graces for the grown-ups to embrace in this wacky wasteland of yellow-faced toy pegs that failed to hit any tangy targets in its questionable brand of joyous absurdity. Plus, it is a momentary thrill to see martial arts icon Jackie Chan, both in real flesh and animation, doing double duty as both a wise old guide Master Wu using his wisdom to guide the courageous youthful ninjas on their quest for righteousness as well as garrulous shopkeeper spinning ancient tales.

One is not quite sure where the true forum for **The Lego Ninjago Movie** should be promoted…on the straight-to-video shelves or merely being trapped in a cluttered toy box with other forgettable action figures.

**The Lego Ninjago Movie** (2017)

cast: Jackie Chan, Olivia Munn, Justin Theroux, Dave Franco, Fred Armisen, Abbi Jacobson, Michael Pena, Kumail Nanjiani and Zach Woods

Warner Bros. Pictures

1 hr. 41 mins.

DIRECTOR: Charlie Bean, Paul Fisher, Bob Logan

WRITER: Paul Fisher, Bob Logan, Tom Wheeler, William Wheeler, Jared Stern. John Whittington, Hilary Winston

MPAA Rating: PG

GENRE: Animation/Fantasy

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2017
Certainly not the worst film of the year, but very disappointing when stacked up against _The LEGO Movie_ and _LEGO Batman_. I think this one might **actually** just be for kids.

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._

Watch Underwater 2020 123movies

Watch Underwater 2020 123movies Underwater 2020-coming-DVDrip-MPEG-2-Google Drive mp4-post-2020-MPG-DVDScr-on Redbox.jpg Watch Underwater ...